High Desert Test Sites , cofounded and directed by Andrea Zittel, is a nonprofit arts organization based in Joshua Tree, California. Started in 2002 by a loosely knit group of collaborators (Andrea Zittel, Andy Stillpass, John Connelly, Shaun Regen and Lisa Anne Auerbach), HDTS has since hosted the work of more than 450 artists, 11 expansive site-specific programs, and 25 solo projects.
As a conceptual entity HDTS is dedicated to “learning from what we are not” and the belief that intimately engaging with our high desert community can offer new insights and perspectives, often challenging art to take on new areas of relevancy.
To challenge traditional conventions of ownership, property, and patronage. Most projects will ultimately belong to no one and are intended to melt back into the landscape as new ones emerge.
To insert art directly into a life, a landscape, or a community where it will sink or swim based on a set of criteria beyond that of art world institutions and galleries.
To encourage art that remains in the context for which it was created - work will be born, live, and die in the same spot.
To initiate an organism in its own right-one that is bigger and richer than the vision of any single artist, architect, designer, or curator.
To create a center outside of any preexisting centers. We are inspired by individuals and groups working outside of existing cultural capitals, who are able to make intellectually rigorous and culturally relevant work in whatever location they happen to be in.
To find common ground between contemporary art and localized art issues.
To contribute to a community in which art can truly make a difference. HDTS exists in a series of communities that edge one of the largest suburban sprawls in the nation. Many of the artists who settle in this area are from larger cities, but want to live in a place where they can shape the development of their own community. For the time being, there is still a feeling in the air that if we join together we can still hold back the salmon stucco housing tracts and big box retail centers. Well maybe.
Who We Are
Lisa Anne Auerbach
Shaun Caley Regen
CURRENTLY ADMINISTERED BY
Vanesa Zendejas - Acting Director
Elena Yu - Programming Manager
Kristy Campbell, Emily Endo and Sydney Foreman. Thanks to Elizabeth Carr and Zena Carr at the Sky Village Swap Meet! RIP Bob Carr.
BOARD OF DIRECTORS
David Knaus - Chair
Andrea Zittel - Director Emeritus/Treasurer
Aram Moshayedi - Secretary
High Desert Test Sites is grateful to The Andy Warhol Foundation for the Visual Arts, Tides Foundation, The James Irvine Foundation - Arts Regranting Program/Inland Empire at The Community Foundation, Strengthening Inland Southern California through Philanthropy, The Foundation for Contemporary Arts, The Ranch Projects, Sky Village Swap Meet, and our generous donors for their support.
When HDTS was founded in 2002, part of the original mission was to run on zero budget and generate relevant and rigorous programming through the most efficient means. Fourteen years later, the socio-economic climate has changed—Joshua Tree has changed—and the world has changed. HDTS artists have always been resourceful, but we are increasingly aware that an important part of showcasing and supporting their work is compensating them for their time, efforts, and ideas.
Bringing our audience such programming also wouldn’t be possible without the small, paid staff who we rely on. Each event that we host requires hours of planning, managing, and communicating—from finding the right site for an artist, to sourcing volunteers, to updating our website and managing the books.
Together, along with countless dedicated volunteers, we’ve managed over the years to:
- Showcase the work of over 450 artists and presenters
- Host 11 large, site-specific programs
- Support over 25 solo projects
- Produce 10 publications
- Host a monthly book club
- Maintain a local presence with our HQ
- Host workshops and community events
- Pass out hundreds of maps to HDTS sites
- Build a Desert Archive
- Provide an online resource for those interested in local sites and projects
As a small arts organization, in a rural community, we heavily rely on the support of our donors both from the High Desert region and beyond. Every contribution, large and small, helps support the staff and artists in continuing to offer more immersive and intimate experiences and exchanges between critical thinkers from many different walks of life.
(Please use the "add special instructions to the seller" box in PayPal to let us know if would like your contribution to directly support a specific upcoming project.) You can also mail a check to High Desert Test Sites at P.O. Box 1058, Joshua Tree, CA 92252.
Thank you so much for your support - any amount helps!
Although many of our projects are only temporarily sited, some are permanent and are located throughout the Joshua Tree region. The best way to find these works is to follow the directions on our current HDTS driving map.
The HQ at the Sky Village Swap Meet
The HDTS HQ is a visitor's center and creative hub where artists, craftsmen, visionaries, and friends engage with the high desert community through creative projects and performances. You can pick up a copy of our driving map to HDTS projects and other local sites of interest at the HQ every Saturday from 9 am–1 pm (closed July-August)—and please check our website regularly to see what special events we have on the calendar.
The HQ is collectively run by a small group of volunteers who review and accept proposals several times a year. We are open to a wide variety of projects to present at the HQ, but are particularly interested in work that engages with our local community (who have a strong presence at the Swap Meet), encouraging their participation in a contemporary practice. Proposals are accepted via email and are reviewed about once every three months.
Directions: 7028 Theater Road (just off Hwy 247, right behind Barr Lumber), Yucca Valley, CA 92286; 760-365-2104
*Email us if you'd like to get involved with the HDTS HQ at Sky Village Swap Meet!
Ok. So I'm excited about the next HDTS event. What should I bring with me to the desert?
You are awesome. We love your enthusiasm. Bring plenty of drinking water and snacks. Bring sunscreen and a wacky wide-brimmed hat for extra protection in the bright sun. Bring a sweater or jacket, as it can get chilly at night. Bring lots of cash.
Cell phones and mapping apps don't always work out here, so be sure to look up directions and print out driving maps ahead of time (many addresses in the desert don't register properly on cell phone mapping applications, and service can be spotty).
Please remember this is a fragile desert environment. Leave no trace! Be prepared to haul out everything that you haul in.
I am coming to the desert this weekend, is there anything up to see?
Most of our current HDTS projects are short term or temporary, but you can download the current HDTS driving map for directions to ongoing HDTS projects and points of interest.
When is the next HDTS event?
Check our website as we do list all upcoming events well before they happen and you can also sign up for the HDTS mailing list to stay abreast of HDTS updates, events, and projects.
Does HDTS have a physical space? Where are you located, and what is your operational structure like?
HDTS is a conceptual project as much as a physical one – so while we have a full schedule, almost two hundred acres of land at our disposal, and a (small, part-time) staff - we do not have a physical roof over our heads. Because our mission supports work that actively engages the world at large, we like to spend as much time as possible out in that world.
We have a small core team who all work part-time on the project. We do lots of work remotely on our computers, or driving around out in the desert, and then tend to meet up in Andrea’s studio when we need a big table and things like envelopes, scotch tape, and a stapler.
You are welcome to visit the HDTS HQ at the Sky Village Swap Meet in Yucca Valley, open Saturdays 9–1PM.
How can I get involved?
We periodically need help assisting artists with their installations. This may include hard labor, sweat, and blisters, but installations are generally a lot of fun, and a good way to meet people. If you are sturdy, reliable, and up for the task, please email us, and we will let you know about upcoming installtions.
You can share information with us about a destination that we should check out, or an inspirational figure who we might be interested in researching.
I'm interested in proposing a project - are you accepting proposals, and what kind of proposals are you looking for?
We are not taking project proposals at this time, except for projects done at the HDTS HQ at Sky Village Swap Meet in Yucca Valley. Programming at this site is geared towards a diverse local audience, and due to its unique swap meet context we ask all artists to visit the swap meet at least once before sending in a proposal.
OK - I’m confused... What's the difference between A-Z West and HDTS?
A-Z West is Andrea Zittel’s home and land in Joshua Tree, dedicated to her life practice and special programs. It includes her home, studio, A-Z Wagon Station Encampment, and the Institute of Investigative Living. The activities that go on at A-Z West are primarily related to Andrea's practice and are separate from HDTS, but at certain times A-Z West will expand by hosting HDTS programs/installations/artists.
High Desert Test Sites is a non-profit support entity for artists whose practices explore the intersection between contemporary art and life at large. The HDTS sites include many different pieces of land used for projects and programming. These include A-Z West, as well as other parcels scatted throughout Pioneertown, Joshua Tree, and Wonder Valley.
I love what you are doing and can see that you are a small program desperately in need of resources - how can I help support HDTS?
How do I contact a High Desert Test Sites representative?
Send us an email at email@example.com. Sign up for the HDTS mailing list to stay abreast of HDTS updates, events, and projects.
Reality is Like a Horserace
I first met artist and craftsman Desert Mike when I thought I might move into a house on his compound. I was greeted with a space full of rusty objects and a gentle man with a love of small and beautiful found things, with kind eyes and wiry glasses. Today I visited his home on Windsong Avenue to hear his story. He offered me wine or tea, coffee or water, and was excited to show me around his house, which was unusally dark, with maroon curtains blocking the desert bright, and jars of dried goods. HIs modern, southwest inspired furniture pieces decorated the walls and corners, and folded objects with stories emerged from some of them, like a French flag from WWII given to an American soldier by his French lover...
He shows me the tiles of millionaires houses, which he found by the side of the road, that now make up his bathroom walls. "Free, it was all free," says Desert Mike. "They don't want you to know it, but you can get a lot for free in this world! I am going to write some kind of piece on dumpster diving..." I too have been collecting objects found in the desert, tin cans with flowering bullet holes, fragments of turquoise china, covers of books...the desert ages real functional things in a way that renders them almost mystical, formless, separate from their original use value in the known world. Mike's space feels clean and neat, and taxonimized in a way that is familiar from trips to the back room of the Natural History Museum. Every object has a reason for being where it is and exists within a grander classification system, imperceptible when viewing a small group of objects on their own.
Desert Mike works on his assemblage works slowly; each and every tiny piece that he touches has a specfic place where it is supposed to go. He tells me that things don't always fit together the way he thinks they will; in his head a pea-sized turquoise pyramid might fit nicely into an old gear of a watch, but when he does it, something doesn't feel right. So he spends a lot of time sitting with a specific placement of components, looking and feeling and moving things around. He is particularly excited about 4 new pairs of surgeons forceps he recently purchased in Quartzite, for only 10 dollars (!). He thinks they are worth at least $25 a piece!
Mike first came to the desert with his family in 1956 to a small homesteaders cabin in 29 Palms that his father bought for "dirt cheap." Back then there was NOTHING here, he says, it truly was the wild west. The family's cabin was on Dump Road, and the first cast off objects that young Mike was drawn to were a bunch of wooden national monument signs, with the words carved out with a router in a beautiful old fashioned typeface. He saved the lot of them and one still hangs on the building next to his house. His family continued to go out to the cabin for all of his young life, and Mike felt drawn to the openness and outsider feel of the desert land.
We speak about the mystical and the mythical, the interface between the humble and the divine, and Mikes understanding of some greater, other-dimensional being that designed all of the parts of this world. There are other beings vibrating at distinct frequencies that we cannot see or hear, on planes close to but separate from the reality we experience, and we all have the right to our beliefs about the world. "Reality is like a horserace," he says, "everyone is betting on their horse." He brings out a piece built on a discarded motherboard, that feels like an extension of our conversation about reality. Glued onto the circuits and silicon are objects from nature; a fossilized snail shell, a fragment of peridot, a circle of turquoise. I remark that it is difficult to tell which parts were added, and he smiles, "good."
Mike went to school for furniture making, and started a woodworkers cooperative in Long Beach in the early 80s. He made fine furniture, with smooth, varnished wood for years for a living, and when he moved out here in 1987, he craved a return to natural unfinished wood, and the textures of different types of trees. Now he carves his pieces with enhanced textures, taking wood grain to a new dimension. Some of his furniture has crystals embedded in in, which lights up with the technology of LED lights! "I think I am a moth," he said as he explained to me that he had always been attracted to light.
This is a Ritual Cabinet, a cabinet for individuals rituals, like "taking vitamins or burning insence."
Katie Bachler was our first HDTS Scout, and was in residence from 2012-2013.
The HDTS Scout Residency is dedicated to learning more about the people and places that make up our diverse and ever evolving community.
During Katie's residency, visitors were invited to drop into the HDTS HQ, the Scout's home base, to meet Katie, who could be found making maps, hosting conversations, and baking bread – in between her off-site adventures around town and out in the field.
Katie had a lot in store during her time here, including:
- a series of talks featuring local experts
- joining together to create a web of knowledge
- a research library and archive documenting the many spaces, places, plants, and people that make up this special region
- casual conversations with drop in visitors over tea
- site visits and field trips around town
Katie engaged the community by instigating map-making and rag-rug braiding workshops, the Scout’s Book Club, Art in the Environment classes for desert kids, casual conversations, site visits and field trips—all shared in her Scout’s blog, which serves as the foundation for her book.