High Desert Test Sites , cofounded and directed by Andrea Zittel, is a nonprofit arts organization based in Joshua Tree, California. Started in 2002 by a loosely knit group of collaborators (Andrea Zittel, Andy Stillpass, John Connelly, Shaun Regen and Lisa Anne Auerbach), HDTS has since hosted the work of more than 450 artists, 11 expansive site-specific programs, and 25 solo projects.
As a conceptual entity HDTS is dedicated to “learning from what we are not” and the belief that intimately engaging with our high desert community can offer new insights and perspectives, often challenging art to take on new areas of relevancy.
To challenge traditional conventions of ownership, property, and patronage. Most projects will ultimately belong to no one and are intended to melt back into the landscape as new ones emerge.
To insert art directly into a life, a landscape, or a community where it will sink or swim based on a set of criteria beyond that of art world institutions and galleries.
To encourage art that remains in the context for which it was created - work will be born, live, and die in the same spot.
To initiate an organism in its own right-one that is bigger and richer than the vision of any single artist, architect, designer, or curator.
To create a center outside of any preexisting centers. We are inspired by individuals and groups working outside of existing cultural capitals, who are able to make intellectually rigorous and culturally relevant work in whatever location they happen to be in.
To find common ground between contemporary art and localized art issues.
To contribute to a community in which art can truly make a difference. HDTS exists in a series of communities that edge one of the largest suburban sprawls in the nation. Many of the artists who settle in this area are from larger cities, but want to live in a place where they can shape the development of their own community. For the time being, there is still a feeling in the air that if we join together we can still hold back the salmon stucco housing tracts and big box retail centers. Well maybe.
Who We Are
Lisa Anne Auerbach
Shaun Caley Regen
CURRENTLY ADMINISTERED BY
Vanesa Zendejas - Acting Director
Elena Yu - Programming Manager
Kristy Campbell, Emily Endo and Sydney Foreman. Thanks to Elizabeth Carr and Zena Carr at the Sky Village Swap Meet! RIP Bob Carr.
BOARD OF DIRECTORS
David Knaus - Chair
Andrea Zittel - Director Emeritus/Treasurer
Aram Moshayedi - Secretary
High Desert Test Sites is grateful to The Andy Warhol Foundation for the Visual Arts, Tides Foundation, The James Irvine Foundation - Arts Regranting Program/Inland Empire at The Community Foundation, Strengthening Inland Southern California through Philanthropy, The Foundation for Contemporary Arts, The Ranch Projects, Sky Village Swap Meet, and our generous donors for their support.
When HDTS was founded in 2002, part of the original mission was to run on zero budget and generate relevant and rigorous programming through the most efficient means. Fourteen years later, the socio-economic climate has changed—Joshua Tree has changed—and the world has changed. HDTS artists have always been resourceful, but we are increasingly aware that an important part of showcasing and supporting their work is compensating them for their time, efforts, and ideas.
Bringing our audience such programming also wouldn’t be possible without the small, paid staff who we rely on. Each event that we host requires hours of planning, managing, and communicating—from finding the right site for an artist, to sourcing volunteers, to updating our website and managing the books.
Together, along with countless dedicated volunteers, we’ve managed over the years to:
- Showcase the work of over 450 artists and presenters
- Host 11 large, site-specific programs
- Support over 25 solo projects
- Produce 10 publications
- Host a monthly book club
- Maintain a local presence with our HQ
- Host workshops and community events
- Pass out hundreds of maps to HDTS sites
- Build a Desert Archive
- Provide an online resource for those interested in local sites and projects
As a small arts organization, in a rural community, we heavily rely on the support of our donors both from the High Desert region and beyond. Every contribution, large and small, helps support the staff and artists in continuing to offer more immersive and intimate experiences and exchanges between critical thinkers from many different walks of life.
(Please use the "add special instructions to the seller" box in PayPal to let us know if would like your contribution to directly support a specific upcoming project.) You can also mail a check to High Desert Test Sites at P.O. Box 1058, Joshua Tree, CA 92252.
Thank you so much for your support - any amount helps!
Although many of our projects are only temporarily sited, some are permanent and are located throughout the Joshua Tree region. The best way to find these works is to follow the directions on our current HDTS driving map.
The HQ at the Sky Village Swap Meet
The HDTS HQ is a visitor's center and creative hub where artists, craftsmen, visionaries, and friends engage with the high desert community through creative projects and performances. You can pick up a copy of our driving map to HDTS projects and other local sites of interest at the HQ every Saturday from 9 am–1 pm (closed July-August)—and please check our website regularly to see what special events we have on the calendar.
The HQ is collectively run by a small group of volunteers who review and accept proposals several times a year. We are open to a wide variety of projects to present at the HQ, but are particularly interested in work that engages with our local community (who have a strong presence at the Swap Meet), encouraging their participation in a contemporary practice. Proposals are accepted via email and are reviewed about once every three months.
Directions: 7028 Theater Road (just off Hwy 247, right behind Barr Lumber), Yucca Valley, CA 92286; 760-365-2104
*Email us if you'd like to get involved with the HDTS HQ at Sky Village Swap Meet!
Ok. So I'm excited about the next HDTS event. What should I bring with me to the desert?
You are awesome. We love your enthusiasm. Bring plenty of drinking water and snacks. Bring sunscreen and a wacky wide-brimmed hat for extra protection in the bright sun. Bring a sweater or jacket, as it can get chilly at night. Bring lots of cash.
Cell phones and mapping apps don't always work out here, so be sure to look up directions and print out driving maps ahead of time (many addresses in the desert don't register properly on cell phone mapping applications, and service can be spotty).
Please remember this is a fragile desert environment. Leave no trace! Be prepared to haul out everything that you haul in.
I am coming to the desert this weekend, is there anything up to see?
Most of our current HDTS projects are short term or temporary, but you can download the current HDTS driving map for directions to ongoing HDTS projects and points of interest.
When is the next HDTS event?
Check our website as we do list all upcoming events well before they happen and you can also sign up for the HDTS mailing list to stay abreast of HDTS updates, events, and projects.
Does HDTS have a physical space? Where are you located, and what is your operational structure like?
HDTS is a conceptual project as much as a physical one – so while we have a full schedule, almost two hundred acres of land at our disposal, and a (small, part-time) staff - we do not have a physical roof over our heads. Because our mission supports work that actively engages the world at large, we like to spend as much time as possible out in that world.
We have a small core team who all work part-time on the project. We do lots of work remotely on our computers, or driving around out in the desert, and then tend to meet up in Andrea’s studio when we need a big table and things like envelopes, scotch tape, and a stapler.
You are welcome to visit the HDTS HQ at the Sky Village Swap Meet in Yucca Valley, open Saturdays 9–1PM.
How can I get involved?
We periodically need help assisting artists with their installations. This may include hard labor, sweat, and blisters, but installations are generally a lot of fun, and a good way to meet people. If you are sturdy, reliable, and up for the task, please email us, and we will let you know about upcoming installtions.
You can share information with us about a destination that we should check out, or an inspirational figure who we might be interested in researching.
I'm interested in proposing a project - are you accepting proposals, and what kind of proposals are you looking for?
We are not taking project proposals at this time, except for projects done at the HDTS HQ at Sky Village Swap Meet in Yucca Valley. Programming at this site is geared towards a diverse local audience, and due to its unique swap meet context we ask all artists to visit the swap meet at least once before sending in a proposal.
OK - I’m confused... What's the difference between A-Z West and HDTS?
A-Z West is Andrea Zittel’s home and land in Joshua Tree, dedicated to her life practice and special programs. It includes her home, studio, A-Z Wagon Station Encampment, and the Institute of Investigative Living. The activities that go on at A-Z West are primarily related to Andrea's practice and are separate from HDTS, but at certain times A-Z West will expand by hosting HDTS programs/installations/artists.
High Desert Test Sites is a non-profit support entity for artists whose practices explore the intersection between contemporary art and life at large. The HDTS sites include many different pieces of land used for projects and programming. These include A-Z West, as well as other parcels scatted throughout Pioneertown, Joshua Tree, and Wonder Valley.
I love what you are doing and can see that you are a small program desperately in need of resources - how can I help support HDTS?
How do I contact a High Desert Test Sites representative?
Send us an email at firstname.lastname@example.org. Sign up for the HDTS mailing list to stay abreast of HDTS updates, events, and projects.
An animal inside of his brain tells Simi Dabah what to do, he is not in control, the images keep coming to him. Images that turn into monumental iron sculptures, some 30 feet tall, at the rate of 50 or 60 a year. He is 85 years old, and has been creating these striking modernist pieces for 40 years, storing them in his backyard in Joshua Tree. The works are lovely minimal plop art, with an aesthetic of primitive cave drawings, motifs of the south west, reminiscent of the simple rectilinear shapes of minimalist painters like Mondrian and sculptor David Smith, with a bit of Levitated Mass. However, Dabah has no formal art school training, his work comes from some unstoppable place inside of him.
He cannot stop making them, he says, the ideas and images just spill out of him. Scavenging in metal scrap yards in Los Angeles, and wandering through the desert lead Simi to some awesome pieces of wrought iron. Simi and Julie Dabah invite me into their modest minimal desert home, on Sunfair close to the dry lake bed. We are all wearing sweaters because the weather has turned colder all of a sudden, with crisp winter light outlining the mountains in a brighter blue sky. We sit and chat about life, how to be who we want to be in the world, how to make money, and follow our passions. I am inspired by his life, his way with materials, his inability to not make art.
The couple walks me outside, where there are literally 500 original works! The sculptures look great aginst this backdrop, the wind hits my face and my eyes water, reminding me of late fall days picking apples in Vermont. Simi and Julie tell me his outsider artist life story; no formal training, used to make ceramics, grew up in and around LA. Simi found the desert as a real estate agent; sold lots of property out here in the 60s and 70s, and fell upon this piece of land and home. They spend most of time in LA near Beverly Hills, where Simi welds together the sculptures in an alleyway studio. He has a forklift there and a forklift here, and a large truckbed in between. He has an assistant, Bob, who is works at his desert property once a week. Simi will be included in the highway 62 Art Tours this year.
Simi makes dozens of sculptures every year and GIVES them away. Talking to hime about the function of art in our current world reminds me of one of my favorite books, called The Gift, which is all about how artists create work that falls outside of the dominant capitalistic mode of exchange. Creativity is joyful, and the act of giving something away inherantly ties an object to a person and a process. Simi has donated sculptures to the town of Yucca Valley, the town of 29 Palms, the Motel 6 in 29 Palms, Copper Mountain College(he has a whole sculpture garden there!), College of the Desert, The Hi-Desert Medical Center, and more. His style is unmistakable, I see his work everywhere, he is the creator of work for the public art scene in this desert!
"They blend into the landscape, reflect the desert browns and tans, space..." says his wife. Its true, though I would not have immediatly connected the heavy rusted artworks to the muted colors and vasteness of this land. The more I spend time with these objects, the more I feel their scale and openness, their freedom, their purity, like the Great Mojave, which seems to go on forever. Maybe this comes from my knowledge of Simi's creative process, that it too is infinite and alive, non-goal oriented, never ending.
Katie Bachler was our first HDTS Scout, and was in residence from 2012-2013.
The HDTS Scout Residency is dedicated to learning more about the people and places that make up our diverse and ever evolving community.
During Katie's residency, visitors were invited to drop into the HDTS HQ, the Scout's home base, to meet Katie, who could be found making maps, hosting conversations, and baking bread – in between her off-site adventures around town and out in the field.
Katie had a lot in store during her time here, including:
- a series of talks featuring local experts
- joining together to create a web of knowledge
- a research library and archive documenting the many spaces, places, plants, and people that make up this special region
- casual conversations with drop in visitors over tea
- site visits and field trips around town
Katie engaged the community by instigating map-making and rag-rug braiding workshops, the Scout’s Book Club, Art in the Environment classes for desert kids, casual conversations, site visits and field trips—all shared in her Scout’s blog, which serves as the foundation for her book.