Mission
High Desert Test Sites is a nonprofit arts institution that supports and stewards experimental artwork in the Joshua Tree region. We support programs that intersect contemporary art with everyday life, creating intimate exchanges between individuals, artworks, landscape, and community, challenging art to be relevant both to a region and beyond.
Since 2002, High Desert Test Sites—cofounded by Andrea Zittel, Andy Stillpass, John Connelly, Shaun Regen and Lisa Anne Auerbach—has hosted the work of more than 450 artists, 11 expansive site-specific programs, and 25 solo projects.
Who We Are
CONTACT
info@hdts.site
(760) 507-4190
PO Box 1058
Joshua Tree, CA 92252
Office hours: Tuesday-Thursday, 10am-5pm PST
STAFF
Vanesa Zendejas - Executive Director, vanesa@hdts.site
Elena Yu - Assistant Director of Programming, elena@hdts.site
Connor Schwab - Facilities and Grounds Manager, connor@hdts.site
Sydney Foreman - Director’s Assistant and Visitor Services, sydney@hdts.site
ORIGINAL FOUNDERS
Andrea Zittel
Andy Stillpass
John Connelly
Lisa Anne Auerbach
Shaun Caley Regen
WEBSITE AND DESIGN
Neil Doshi
BOARD OF DIRECTORS
David Knaus - Chair
Andrea Zittel - Founding Director/Treasurer
Brooke Hodge - Secretary
Marilyn Loesberg - Member
Susan Lubeznik - Member
Aram Moshayedi - Member
SUPPORT
High Desert Test Sites is grateful to The Andy Warhol Foundation for the Visual Arts, Tides Foundation, The James Irvine Foundation - Arts Regranting Program/Inland Empire at The Community Foundation, Strengthening Inland Southern California through Philanthropy, The Foundation for Contemporary Arts, The Ranch Projects, California Arts Council, Sky Village Swap Meet, Copper Mountain Mesa Community Association and our generous donors for their support over the years.
support
When HDTS was founded in 2002, part of the original mission was to run on a zero budget. The idea was to support artistic visions in practical terms—provide help, guidance, tools, a cot, and infinite space. For many years this worked and it produced self-driven projects that were ambitious and independently spirited.
Over the past ten years, HDTS has been working towards building a more substantial funding structure for artists’ projects. This has included hosting recurring fundraising projects such as our Artist Painted Rock Auction, Gem/Mineral Expo, pop-ups at art fairs and art museums, and producing limited edition artworks for sale.
But these endeavors never quite add up to what we need—to pay our artists fairly, for venue rentals, for staff, liability insurance, the bookkeeper, to feed our volunteers, pay for all-terrain forklift rentals, and so much more.
As our programs grow every year, so does our budget. And although we make every effort to raise the money that we need with Andrea’s self-sufficient spirit in tow, we still rely on support from donors to make it all happen.
HDTS has been a registered 501c3 since 2013. Please consider a gift in any amount to help us in providing access to engaging, experimental, contemporary art in the high desert region.
Donate via PayPal, via Venmo (@hdts_azwest), or via check:
PO Box 1058 Joshua Tree CA 92252
Visit
Many past HDTS projects have only been temporarily sited, but some are permanent and scattered throughout the Morongo Basin. The best way to find these works is to follow the directions on our current HDTS driving map. This map also includes sites we’ve partnered with in the past and admire as independent projects. Most HDTS works are located at sites that we regularly activate and operate out of. Those sites include:
A-Z West
Our new base of operations, A-Z West is Andrea’s lifelong project, where she lived and worked for 20 years before handing the keys to HDTS in 2022. Located a few minutes outside downtown Joshua Tree, this 85-acre compound includes four restored homestead cabins, several experimental living structures, permanent sculptures, 4,000 square foot studio space, and pristine desert landscape.
Public tours of A-Z West are offered every 2 weeks, alternating between 1-hour outdoor only tours, and 2-hour tours that include most interiors. Tickets for these tours can be purchased through the West Works store. All funds raised from tour ticket sales support HDTS programming and general operating expenses.
HDTS office hours at A-Z West are Tuesday through Thursday from 10 am–5 pm. Our office is not open to the public during these hours, but by appointment only. Please email Sydney if you have an inquiry regarding A-Z West.
Directions: Head east down Hwy 62 past downtown Joshua Tree. About 1 mile past Park make a right at the “Bail Bonds” sign onto Neptune. When the road hits a “T” make a left, then the next right. At the hanging wooden signs, go straight to park in the Encampment lot, or make a left to go to the house, cabins, or studio.
Behind the Bail Bonds
Sited on this 10-acre boulder strewn parcel adjacent to A-Z West are several works that may take a few hours of exploring to divulge: Morongo by Nathan Lieb, Surveillant Architectures by Julia Scher, and CA Truck Heads by Sarah Vanderlip. Feel free to visit this site sunup to sundown but make sure you park in our designated parking and do not block the road.
Directions: Head east down Hwy 62 past downtown Joshua Tree. About 1 mile past Park make a right at the “Bail Bonds” sign onto Neptune. When the road hits a “T” make a left. Follow along power lines, park just before the turnaround area.
Andy’s Gamma Gulch
Co-founder Andy Stillpass has generously allowed countless HDTS projects to take place on this wildly beautiful 100-acre parcel north of Pioneertown off of Pipes Canyon Rd. Several works are sited here, includingGradually/We Become Aware/Of a Hum in the Room by Halsey Rodman, Trail Registry by Scout Regalia and Tapwater Pavilion by Tao Urban. Andy’s is also available to visit from sunup to sundown but make sure you park in our designated parking or if you do need to park off the side of the road, be careful not to end up in soft sand.
Directions: From Hwy 62 turn right at Pioneertown Rd. Drive about 7.5 miles. Turn right on Pipes Canyon Rd. Drive 2.2 miles to Gamma Gulch Rd, turn left (respect our neighbors – do not drive above 20 mph on this road!) Drive 1.6 miles to God’s Way Love (if the sign has blown off look for Dave & Jeannie’s sign), turn right. Drive 0.4 miles.
Ironage Rd
Purchased from a tax sale back in the early aughts, this 40-acre site is surrounded by BLM land. Located at the most eastern edge of Wonder Valley, in the Sheephole Valley Wilderness area, this site is a commitment to get out to, and feels like the end of the California high desert before being clearly on the way to Arizona. This flat, sandy, washy land is home to several permanently sited works, including Dineo Seshee Bopape’s HDTS 2022 work, and a mostly “invisible” project: Bob Dornberger and Jim Piatt’s Secret Restaurant. On the opposite side of Ironage Rd and slightly to the north is a work by Kiersten Puusemp (Untitled) that you will probably need to get out of your car and explore a little in order to find. Also accessible from sunup to sundown, be very careful when parking off the side of the road as the sand is very soft here.
Directions: From 29 Palms continue east on Hwy 62. Drive forever (23 miles) and turn left at Iron Age Rd. Drive a mile or so until you see something. (Iron Age Road connects both Amboy Road and Hwy 62, so you can reach it using either access road.)
Untitled by AUDC
AUDC (Robert Sumrell and Kazys Varnelis)
One Wilshire is a nondescript 39 story modernist skyscraper designed by Skidmore Owings and Merrill and located in downtown Los Angeles. Originally built to house law offices, One Wilshire gradually became obsolete—along with the rest of downtown Los Angeles—in the 1980s, as yet another victim of the corporate office park. By the 1990s, however, One Wilshire’s fate turned around when the building was retrofitted as telecom or carrier hotel. Now the premier communications hub for the Western US, One Wilshire leases space to over 260 telecom related companies. With more and more such companies located in One Wilshire, the building managers set up a Meet-Me room on the fourth floor in which free interconnections could be made more cheaply and easily between the carriers. Now if a Guatemalan phone card company needs to connect to Spring or one Internet company needs to connect to another, they can simply run a fiber optic interconnect between their routers without costly fees. One Wilshire’s function as a major hub in the global network makes it the most expensive real estate inthe country, renting out at $250 per square foot.
One Wilshire embodies the invisible physical spatiality supporting the virtual space of telecommunications and networking. But One Wilshire is also an icon of the nothingness that permeates our lives. Just like the Internet, One Wilshire is nothing without content. Its expressionless architecture has to be augmented by a sign “One Wilshire” emblazoned on all four sides. But One Wilshire is actually at 624 S. Grand Avenue, off axis to the boulevard it claims to anchor. One Wilshire’s exterior is mute about its internal function, the building could have any shape, any form. Critic Greg Goldin has written of One Wilshire, “It could be a flat, black box; it could be a green mound, it could be a stainless-steel funnel…” Moreover, even if One Wilshire is an icon of Los Angeles, its name forever linked to the city, its function tied to its role as a servant of telecommunications-hungry global metropolis, it is also just a node on a global infomatic grid. It could be anywhere. In returning to the desert, One Wilshire enjoys a much needed vacation from the hectic pace of downtown and joins in a long tradition of modernist monuments in the desert, from Frank Lloyd Wright’s Taliesin, Richard Neutra’s Kaufmann House, Le Corbusier’s Chandigarh, Superstudio’s Continuous Monument, Paolo Soleri’s Arcosanti, and the opulent desert retreat that explodes at the end of Michelangelo Antonioni’s Zabriskie Point.
HDTS 5 (2006)
MAY 6, 2006 - MAY 7, 2006
